Thomas Adès/Corina Belcea/Krzysztof Chorzelski/Alasdair Tait/Corin Long
Piano Quintet in A major D667 (Trout): II Andante
7:12
Thomas Ades
The Tempest, Act 2, Scene II: We'll find the prince
4:09
Thomas Ades
Adès: The Tempest, Op. 22, Act III, Scene 5: "Who was here..."
3:25
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: That will do. You may go (Duchess)
4:44
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Interlude (Orchestra)
1:06
Ian Bostridge/Ruby Philogene/Thomas Adès
Janacek: The Diary of One Who Disappeared, JW V/12: No. 6, Allegro "Hajsi, vy sivi volci" (Tenor)
1:35
Ruby Philogene/Thomas Adès
Janacek: The Diary of One Who Disappeared, JW V/12: No. 10, Un poco più mosso "Boze, dalny, nesmrtelny"
4:30
Steven Isserlis, Thomas Ades
Ades: Lieux retrouves - 4. La ville: Cancan macabre
3:59
Thomas Ades
Violin Concerto 'Concentric Paths' (Augustin Hadelich; Royal Liverpool Philharmonic Orchestra/Hannu Lintu)
19:19
Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd
The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo
2:13
Christianne Stotijn, Mark Stone, Boston Symphony Orchestra, Thomas Adès
Adès: Totentanz - Der Tod zum Mädchen – Das Mädchen
2:57
Kirill Gerstein, Boston Symphony Orchestra, Thomas Adès
Adès: Concerto for Piano and Orchestra - 2. -
7:00
Thomas Adès
Powder Her Face (chamber opera in 2 acts) Interlude - Scene 4 - Nineteen fifty-three - ...mm...ah!...How may I help you
3:36
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Take it from me (Duchess/Electrician/Maid)
5:06
Thomas Adès
Powder Her Face (chamber opera in 2 acts) Scene 3 - Nineteen thirty-six - Fancy, fancy being rich
4:28
Thomas Adès/David Goode/Stephen Farr
Under Hamelin Hill Op. 6: Arietta (2 hands)
3:57
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: Of course she's done well
2:14
Thomas Ades. Almeida Ensemble
Interlude
2:04
Danish String Quartet
Thomas Adès — Arcadiana, Op. 12: III. Auf dem Wasser zu singen
2:28
Thomas Adès
Janacek: Moderato, for Piano, JW VIII/21
1:03
Thomas Adès
In the Mists: Presto
4:16
Thomas Ades
The Tempest, Act 3, Scene IV: How these things
6:46
Thomas Ades
The Tempest, Act 1: Scene I: Hell is empty
3:42
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did you hear - What he said? (Rubberneckers)
1:44
Thomas Ades
The Tempest, Act 1, Scene II: What you hvae told me
2:14
Thomas Adès
Janacek: 15 Moravian Folksongs for Piano: No. 5, Uz sa mne muj mily pryc ubira
